For over a decade I’ve worked with children’s media companies from Boston to Bangalore—and in both English and Spanish—for preschool and older demographics and in animation and live action. I’ve particularly excelled at taking small studio’s original concepts and developing them into fully fleshed-out IPs—creating bibles, scripts, and other material along the way—that they can pitch to broadcasters and co-producers. I have what it takes to develop your show idea into something brilliant and marketable, as well as to jump into an existing series and write regular episode scripts that will match the show’s tone and add to its world.

I’ve also branched out into interactive media by creating the text-based video game “Hey, That’s My Bone!” for Kinzoo Technologies, about a dog trying to get his stolen bone back from some time-traveling Vikings, and for two years writing dialogue, scripts, and other material for Miko, a toy robot from Mumbai that uses AI to play with kids of all ages.

I’ve served in the leadership of the Children’s Media Association, first helping to create their global mentorship program from 2020 to 2021, then from 2021 to 2023 as the Director of Membership for the New York chapter, overseeing benefits for CMA members throughout the pandemic and beyond. 

I wrote the original bible of Pip Ahoy! for Cosgrove Hall Fitzpatrick Entertainment, which ran for three seasons in the UK.

I’m happy to share samples of my original work, including show bibles, pilot scripts, and my own concepts that I’ve pitched to companies like Netflix, Nickelodeon, Nelvana, and the CBBC upon request. Here are some older sample scripts of existing shows:

I created the 6-9 property Captain Carrie and the Monster Ship with Remy Labaki of Hey Daisy Moon Productions